These are ten received PNG representations from volume I1CZ2041, not archival master TIFFs. The edition date is unspecified. This varied sample comes from accessible first and last pages; it is not a representative OCR benchmark.
BDRC explicitly lists W1CZ1988 as public domain without other restrictions. This concerns this edition only. CC0 in the source record applies to metadata, not automatically to scans. BDRC · Source and rights ↗ · BDRC source ↗ · JSON
AI draft · specialist review pending
Provisional reading
Incomplete AI-assisted draft; not expert reviewed. The ten pages are non-consecutive. [?] flags an unresolved span or nearby tentative reading; see the notes. Missing text has not been reconstructed. Translations use a provisional English reading and can inherit its errors. A language version is not a complete or certified translation of the page.
… the collection of intentions of the supreme one who has passed [into …]—
Transcription notes in English
Left text panel, first line.
The visible verbal phrase begins with བར་; its preceding element is absent from this page and has not been supplied. The translation therefore remains a fragment. The ornamental opening sign is represented conventionally as ༄༅།.
whose pennant of realization flutters greatly—the teaching of the essential meaning—
Transcription notes in English
Left text panel, second line; continuation of R1.
བ་དན་ is read from the image as 'pennant'; the OCR hint corrupts this sequence. The final བསྟན་ continues as པའི་ at the beginning of R2. English and Russian fragments follow the Tibetan syntax across panel boundaries.
[thus] may it remain firm, without declining, until the end of existence. Thus, for [the supreme one] who has passed into peace—
Transcription notes in English
Left text panel, third line; continuation of R2 and beginning of the colophon.
ཞི་བར་ continues with གཤེགས་པ་ in R3. The English and Russian anticipate that continuation only to make the fragment intelligible. The unusually shaped punctuation after དུ་ is represented as ༑.
for the fulfillment of the intentions of the supreme one who has passed [into peace], and [with] Ngawang Ngödrub of Holland—
Transcription notes in English
Right text panel, third line; continuation of L3.
The foreign-name spelling ཧོ་ལཎྜའི་ is tentative, especially the conjunct ཎྜ; ནྡ is a possible reading. 'Holland' is the corresponding tentative interpretation. The function of the donor name becomes clear only with the sponsorship wording in L4. No date or identity beyond the printed name is supplied.
when the English Yeshe Khandro contributed sponsorship, the khenpo of Druk Sang Ling, [?]-Gön—
Transcription notes in English
Left text panel, fourth and smallest line; continuation of R3.
The small-script name after མཁན་པོ་ cannot be read securely. འཛི་དགོན་ is a possible reading, not an established transcription. The writer's designation continues into R4. The panel boundary is not treated as a sentence-ending double shad. དབྱིན་ཇི་ identifies an English/British association; 'English' and 'из Англии' are provisional renderings, not independently verified biographical information.
Nor-[?]-pa wrote [this]; may virtue and goodness increase. This print is kept at Mila's practice community in Kulu, [?]-li.
Transcription notes in English
Right text panel, fourth and smallest line; continuation of L4 and closing colophon.
The syllable after ནོར་ is unresolved; the OCR suggests ག་, but the image does not establish it securely. The complete personal or institutional designation spanning L4–R4 remains uncertain. The place-name portion between ཀུ་ལུ་ and ལི་ is unresolved. The OCR suggests མུན་; it has not been silently normalized to a familiar place name. པར་ may denote the print/edition or printing blocks. 'Print' is retained provisionally; the precise physical referent is not established. སྒྲུབ་སྡེ་ is translated literally as 'practice community', without identifying a particular institution.
The name is transliterated, not replaced by an identification inferred from the illustration. The ornamental opening sign is represented conventionally.
བཀའ་སྡོད་ is read visually; it is not normalized to a different conventional epithet. The ornamental opening sign and closing shads are represented conventionally.
Ka. One hundred forty-nine [?]. The liberation-life of Mila.
Transcription notes in English
Narrow left margin, vertical in the supplied image; read after rotating counterclockwise.
The small sign or syllable following ཞེ་དགུ་ is unresolved; the OCR suggests བྱོན་, which is not accepted as certain. The title is retained as the visible marginal form མི་ལའི་རྣམ་ཐར་; no expanded title is supplied. The spacing separates the volume marker, folio number, and marginal title; it does not represent a continuous sentence.
Printed modern folio label outside the upper-right frame.
This modern label is not part of the Tibetan text.
How to read this leaf
Matreya's editorial interpretation, prepared with AI assistance and not specialist-reviewed. It is separate from the translated source and is not an authoritative doctrinal commentary.
Closing aspirations, patronage and printing notes show how the work is preserved and presented. Some names and places remain uncertain. This leaf supplies bibliographic clues rather than the full narrative ending of Milarepa's life.
Start with layout and line boundaries. Transcribe faithfully, mark uncertainty with [?], and keep normalisation separate. A reviewer must inspect the exact submitted version.
20–30 minutes: inspect one selected page, identify its regions or transcribe a few lines. Mark uncertainties; do not silently correct the source.
How to read this leaf
Matreya's editorial interpretation, prepared with AI assistance and not specialist-reviewed. It is separate from the translated source and is not an authoritative doctrinal commentary.
Closing aspirations, patronage and printing notes show how the work is preserved and presented. Some names and places remain uncertain. This leaf supplies bibliographic clues rather than the full narrative ending of Milarepa's life.
Passages behind this reading: L1 · R1 · L3 · R3 · L4 · R4